An Australian Shadows Award and Everything After

I’m stoked to discover my collection, The Abandonment of Grace and Everything After, is a finalist for the Australian Shadows Award (Australia’s top honour for horror fiction). The full list of finalists is on the AHWA site. Congratulations to all!

The book has been going great guns: it was recently a finalist for Australia’s major SF awards, the Aurealis Awards, and made the longlist/preliminary ballot for the world’s major horror prize, the Bram Stoker Awards.

I think that effort deserves another rendition of the One-Punch Man theme! Hero! Killshot!

Speaking of Australian Shadows, pictured below (the haughty demonic statue, towering over my other trophies) is my recently-received Australian Shadows Award from last year. Thanks AHWA for such an awesome trophy! I hope to win more in the years to come and give the big some company. 😉Shane's awards

So close

The Abandonment of Grace ebookThe finalists for the Bram Stoker Awards were announced the other day, and my collection, The Abandonment of Grace and Everything After, missed the cut. I’m disappointed, of course, but I’m proud to have been listed on the preliminary ballot (and for my book to have been included on that ballot by the jury).

However, I’ve been blessed with successes, too, and it can be all too easy to forget that fact when disappointed by an individual result. So I won’t! Instead, I’m thankful to the people who have read and enjoyed my book – now I just have to convince more people to read and review it! 🙂

Congratulations to all the Stoker finalists! May your work inspire dread in others!

Revenge of the Ninja!

I like to write action-oriented Japanese fantasy, so I watch (in the name of research) lots of videos of battles, duels, and various shenanigans.

In doing so, I came across this super-awesome clip from a movie I thought was one of the best movies I’d ever seen back in the 1980s. It doesn’t age well, but that doesn’t matter! This is the ninjutsu I was taught in the 90s. 😉

Make no mistake. Sho Kosugi is everything! *smoke bomb* *disappears*

The music of the Night Land

Night Land Quarterly 4

I said a while back that my story “The Song of Prague” was being published in Japanese in Night Land Quarterly 4. Well, it appears the issue was published this month, and I’m sharing a table of contents with some legendary authors such as H. P. Lovecraft (a reprint of one of my favourites, “The Music of Erich Zann” – and one of the inspirations for “The Song of Prague”), William Hope Hodgson, and Joe R. Lansdale.

I reckon if I could read Japanese, I’d find this to be a bleak issue! 🙂

For any Japanese readers out there, you can purchase Night Land Quarterly 4 from here.

Given that there is an auditory theme running through the issue, if you want to listen to my story, “The Song of Prague”, in English, you can tune into the PseudoPod podcast (or you can read it as part of my Aurealis Award-nominated collection, The Abandonment of Grace and Everything After)

And for a real treat, here’s a short film I discovered based on Lovecraft’s “The Music of Erich Zann”. Enjoy!

Random pop culture moment: Flautist

flautistAs a writer, you can enter the pop culture zeitgeist in any number of ways. Recently, it’s been through awards (see previous post), but sometimes, it’s random things (like my story “Ian” being listed in the Wikipedia entry for Ian). Today’s random thing is crashing the Merriam Webster online dictionary entry for “Flautist”.

Someone took notice of the number of times I used the word “flautist” in my Ravenous Gods novella, Requiem for the Burning God (click image to enlarge). Cool! For the record, it’s eight.

Speaking of Requiem for the Burning God, I don’t normally mention every Amazon review, but Mike Lewis on Amazon warmed my heart with a great little summary of Requiem and the Ravenous Gods/Captain Max Calder stories:

Good stuff, original storyline. I hope Cummings writes more stories for his Captain Max Calder hero, I think there’s only 3 or 4 now. A possibly-immortal WWI fighter-pilot/occasional time traveler, Calder fights the dark Lovecraftian enemies of Earth with Victorian bravado and his trusty Webley .455 revolver at his side.

Yeah, that bloke gets it! 🙂

An Aurealis Award finalist and Everything After

The Abandonment of Grace ebookExciting news of the day: The Abandonment of Grace and Everything After is a finalist for the Aurealis Award (Best Collection). It’s heartening to receive recognition like this for a book that is my most heartfelt – especially on top of being on the Preliminary Ballot for the Bram Stoker Awards.

Of the other finalists, I’m intrigued to read Carole Nomarhas’s collection.

Anyway, congratulations to all the finalists and commiserations to the deserving works that missed out (especially Rob Hood’s master ghost collection – it was my tip for a shoe-in).

The full list of finalists is here: https://aurealisawards.org/2016/02/17/announcement-2015-aurealis-awards-shortlists/

Looking over the finalists, I wonder what happened to the horror novel category? With novels in 2015 by Gary Kemble, Jeremy Bates, Greg Beick, Trent Jamieson, Jason Nahrung, and others, surely more than one deserved to be shortlisted?

Actually, no, it’s none of my business …

Instead, for no real reason except I’m in that kind of mood, I’m gonna play a video of the baddest man in Anime, Kenshiro, returning from the dead and straight up murdering some dudes because they’re being dicks. #kenfcknshiro!
 

The Year’s Best Fantasy & Horror Kickstarter

Liz and Russell over at Ticonderoga Publications need your help.

They are running a Kickstarter campaign to keep the epic Year’s Best Australian Fantasy & Horror anthology series going. Ticonderoga Publications is synonymous with quality, so it’s an endeavour worth your time. Here’s the link: https://www.kickstarter.com/projects/499651181/the-years-best-australian-fantasy-and-horror-6

Having been involved in Brimstone’s Australian Dark Fantasy & Horror series, I know the challenges of putting together a ‘year’s best’ anthology. It’s the most difficult gig in the business, combining awards judge with anthologist – the editors have to read everything in the field.

I also know the rewards, and there are plenty of awesome ones in this Kickstarter! Personally, if I had the cash, I’d go for the Instant Library reward. Check out the link above and enjoy some Ticonderoga goodness!

Behind the Black Door

The next story I discuss in my series about The Abandonment of Grace and Everything After is “The Black Door”.

The say fear of the unknown is the most powerful and primal fear, and that’s what I wanted to explore with this story. It’s part mystery, part crime thriller, part supernatural confrontation … I view this story as a literary Rorschach test. What better metaphor for fear of the unknown could there be than a mysterious black door? A little heavy-handed, I admit, but it is an early story.

I say “story”, but it’s more of a well-realised fragment.

Apocrypha Insanity3There’s a reason this story was first published in Apocrypha Sequence: Insanity. Well, a couple, actually. The most obvious is that the black door can be seen as a metaphor for madness. Less obvious is that I wanted to link this story to other stories I’ve had published. Notably, “Song of the Infernal Machine”, which was published in my first collection Shards and reprinted in Insanity. Ever wonder what those muffled noises were coming from inside the infernal machine? If I ever expand “The Black Door” into a novella, I would explain the connection.

Speaking of insanity, I have a personal soundtrack to insanity. Like a lot of writers, I listen to music while I write. However, it’s a sporadic process for me. Sometimes I can’t concentrate with music in the background; sometimes, it gets me into the writerly zone. A lot of this depends on the song, of course. The soundtrack to my insanity stories, “The Black Door” and “Song of the Infernal Machine”, comes from one of my favourite bands, Filter. Specifically, a weird, wordless song entitled “The 4th” from the band’s album, The Amalgamut [2002] (see video above). “The 4th” is an eight minute tune with heavy bass and the subliminal message “oh what a hell of a price, what a hell of a price” [to pay] playing backwards. It’s funny how “hell” sounds the same backwards or forwards. The song is terrific mood music.

To digress, that entire album is an underrated gem, and it includes a couple of my all-time favourites: “God Damn Me” and “Where Do We Go From Here?”, as well as “The 4th”. While I’m not entirely certain of this, I believe that another track on the album, “The Missing” influenced me to write “Wrack”, a short story published in Shards and Apocrypha Sequence: Deviance. “Wrack” is a nasty, mean-spirited piece of fiction, and it’s one of my personal favourites. Thanks, Richard Patrick and Filter.


The Abandonment of Grace ebook

You can read “The Black Door” in The Abandonment of Grace and Everything After, available in hardback, trade paperback, or ebook from Amazon.

The dread Year of the Fire Monkey

tiger-monkey-zodiac

Chinese New Year starts today – 2016 is the Year of the Fire Monkey. Happy Chinese New Year!

Ahh, the Fire Monkey. In Chinese astrology, he is my mortal enemy (I am a Tiger – a Wood Tiger, to be precise, although it’s very important to note I’m not Tiger Woods. Different guy, I swear!).

If you believe in that kind of thing, with the Monkey being such a trickster, linked to the fire element and all, it will be a turbulent year (here are some predictions).

The Year of the Fire Monkey one is a bad one for us Tigers (and I thought last year was an Annus Horriblis!). That prancing little shit-throwing chimp gets all up in our regal tiger business and mucks everything up.

Reading the predictions for a Tiger in 2016 is a bit depressing: struggles with finances, struggles with work, possible accidents. There’s little in the way of good news.

The Tiger is the king of animals, but the Monkey is craftier. The only way for the Tiger to prevail is for the Tiger to become smarter.

So that’s what I’m doing. I’m having a terrible run on the job front, finances are going backwards, so I’ll be investing in my education this year. I’m enrolled in a Master of Creative Writing at Macquarie University, and I’m picking up all the skills and experience I can through activities and self-directed learning.

Most importantly, I’m writing – a lot more than I have in years. This year, writing will be my refuge.

I’ll beat that nasty little chimp, you’ll see!

Apocrypha Sequence: Master Collection

Apocrypha Sequence Master Collection

At long last, the four volumes of the Apocrypha Sequence are now in one electronic master collection! This 4-in-1 collection includes the exclusive Insanity story “Elephant in the Room”!

Apocrypha Sequence: Master Collection is exclusive to Amazon for just $2.99 (save $1).

The Apocrypha Sequence is a series of dark fantasy collections with interwoven themes and interconnected stories. They are a re-mix, of sorts, of my short fiction, around my major (canon) collections Shards and The Abandonment of Grace and Everything After.

The individual Apocrypha Sequence volumes are:

Last chance to win!

Love horror? Love dark stories about love, loss, and redemption? Then you’ll want a copy of The Abandonment of Grace and Everything After.

The collection is on the preliminary ballot/longlist for the Bram Stoker Awards. It’s filled with a bunch of award-nominated and critically-acclaimed stories. It’s the best thing you’ve never read!

The Goodreads giveaway for the book ends tomorrow! So for your chance to win one of two gorgeous hardcovers of The Abandonment of Grace and Everything After, enter in the box below:

Goodreads Book Giveaway

The Abandonment of Grace and Everything After by Shane Jiraiya Cummings

The Abandonment of Grace and Everything After

by Shane Jiraiya Cummings

Giveaway ends February 07, 2016.

See the giveaway details
at Goodreads.

Enter Giveaway

What stayed in the Cutting Room

An old autopsy room, linked from Flickr.

Continuing my discussion about The Abandonment of Grace and Everything After, here is the history of one of my notable (and notorious) stories, “The Cutting Room”.

In January and February 2005, I attended the famous Clarion South writers’ workshop in Brisbane, Australia. It was a very hot and muggy Queensland summer, the air-conditioning was patchy, and 17 journeyman writers formed bonds, friendships, and rivalries over the course of six very demanding weeks, under the tutelage of some of the world’s leading science fiction, fantasy, and horror authors and editors. The format of the workshop required each writer to offer up for critique one story per week for six weeks, with all the other students and the tutor-of-the-week providing critiques. Each story had about an hour of continuous critique, with the author required to squirm or bask (as the case may be) under increasingly brutal crits as the weeks wore on. Several careers have been kick-started by Clarion workshops. Writers such as Nathan Burrage, Deborah Kalin, Rjurik Davidson, Mark T. Barnes, and Suzanne Church may not be household names, but they’ve had their successes in science fiction and fantasy circles. Clarion was a fabulous crucible of creation, and it set many nerves on edge and dented a few egos along the way.

In week two, under the supervision of SF author Michael Swanwick, my ego was given a battering over “The Cutting Room”. It was my first Clarion-written story, and from the critique, I realised that I was one of the few specialist horror writers at the workshop (many Aussie speculative fiction writers tend to dabble across all three genres of horror, SF, and fantasy, and most of the writers at the workshop were such cross-genre dabblers). A few people in the session took offence to the leery examination by Dr Parrish in this story. The criticism was hard to swallow at the time, but I persevered with the story because I realised two things: most of the disturbing stuff that appears in my stories is implied rather than shown, and in this case, “The Cutting Room” elicited strong reactions in most readers. Above all else, I want to reach my readers’ emotions. Horror is the literature of fear, after all, so I want readers to be on the edge of their seats, disturbed, and perhaps even a little repulsed. “The Cutting Room” succeeded on this level, which to me makes it is a good story.

Since its creation in 2005, “The Cutting Room” has become something of a signature story for me. It’s certainly the most popular story I have written. The story was first published in Apex Publications’ anthology, Gratia Placenti [for the sake of pleasing], and it has been published a total of eight times, to date, including being: podcast on PseudoPod, reprinted in the ‘year’s best’ anthology, Australian Dark Fantasy & Horror Volume Three, reprinted in Scott Nicholson’s bestselling collection Gateway Drug, and translated and published in French and Spanish. The Spanish translation, in the anthology Paura 4, was nominated for the Premios Ignotus [Spanish SF Award] for Best Foreign Short Story.

For the record, the examination scene published in The Abandonment of Grace and Everything After and in every prior publication is unaltered from the draft critiqued at Clarion South all those years ago.


The Abandonment of Grace ebook

You can read “The Cutting Room” in The Abandonment of Grace and Everything After, available in hardback, trade paperback, or ebook from Amazon.

Fire and the Phoenix

phoenix2

Fire. For me, it always comes back to fire.

I talked about fire in my last post about “The Abandonment of Grace and Everything After”, from the collection of the same name, and tonight, I’m revisiting a story that is not just touched by fire, it is the quintessential story about loss through fire. I consider “Phoenix and the Darkness of Wolves” one of my greatest stories. It’s a story of tragedy, magic, hope, and life in the ashes of an empty, desolate continent. It’s my longest story, a novella, but it’s also one of my most heartfelt.

It brings me angst that so few people have read the story. I’d like that to change over time…

In 2010, “Phoenix and the Darkness of Wolves” had just been published as a standalone novella by Damnation Books, and it was reviewed HorrorWorld. The reviewer drew parallels between the living inferno in the story and nuclear war. I wrote a blog post about that review here, Bushfires vs nuclear holocaust, and much of what I said then eloquently summarises my feelings about “Phoenix” today. So rather than writing something new and possibly redundant about “Phoenix”, here is what I originally said:

“Bushfires are on my mind as a writer because my family has a long, dark history with fire. My uncle was a volunteer firefighter who died in 1980 when his firetruck was overrun by flames on the Uloola track near Waterfall in the Royal National Park, south of Sydney. I’ve attended several NSW Rural Fire Service memorials, and when my grandmother was still alive, for many years, I accompanied her on an annual trek to the place where Uncle Bill died. It’s quiet and lonely out there on the Uloola track, but it’s beautiful, too. Whenever I visited that memorial, the occasion had a palpable, sombre weight to it, like I was in the company of ghosts.

“My mother and step-father have served in the Rural Fire Service for many years, too. Mum was a trainer until cancer prevented her from continuing on in the role.  My cousin Shannon (Uncle Bill’s son, who was 1 year old when his father died in the fire) served in the Rural Fire Service for a number of years, too. My father-in-law was the local fire captain in his town in Tasmania, and from all accounts, only a lucky wind change saved his life one day during a particularly fierce blaze that swept up the mountain towards him and his mates.

“I’ve lived through a number of bushfires (our house was on the southern fringe of Sydney, close to the Royal National Park) and the times when the smoke choked the sky and the sun burnt a hazy orange are amongst my strongest memories as a child.

“Fire is in the blood for me, and for many Australians, I think. Americans may read Phoenix with overtones of nuclear holocaust, but I think many Aussies will be able to connect to the story on the level I had intended. Except for residents of Japan, nuclear war is a hypothetical threat. It is like the boogeyman. It’s scary but few believe it will actually affect them in the real world. Bushfires, on the other hand, are like personal armageddons for those who have survived them or had their lives affected in some way. They’re a constant threat and even living in a city like Sydney, Canberra, or Melbourne does not make one immune from their reach. Aussies understand fire, heat, and the pain these things bring.

“This threat, this pain, is what Phoenix and the Darkness of Wolves is really about.”

The deadly Black Saturday bushfire, 2009.


Incidentally, after “Phoenix and the Darkness of Wolves” was first published, Australian author and artist Greg Chapman contacted and gave me the tip that the song “Wild Wolves” by English band Athlete was the perfect theme for my novella. The two were released around the same time, and I have to admit, the imagery from that song perfectly fits “Phoenix”. Scarily so! A huge shout out to Greg for bringing this song to my attention. It’s now one of my absolute favourites, and in the twilight hours, I play it on my guitar. I urge you to seek out this song and listen to it after you’ve read “Phoenix and the Darkness of Wolves”. I promise it will give you chills.


The Abandonment of Grace ebook

You can read “Phoenix and the Darkness of Wolves” in The Abandonment of Grace and Everything After, available in hardback, trade paperback, or ebook from Amazon.