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Ian

Ian

Ian

One of the stories I’m best known for is a piece called “Ian”. The story was originally published back in 2005 by Ticonderoga Online and went on to be nominated for a Tin Duck (a runner-up, apparently, which surprised me). The main reason it’s a well known story is that it is listed under the Wikipedia entry for Ian. Don’t believe me? Look it up! (and thanks kind and thorough Wikipedia editor, whoever you are!).

It’s the sort of story people have emailed me about asking where they can find it (I just had one lady contact me two weeks ago on behalf of her son Ian – he’s now read the story and described it as “creepy”. Thanks, Ian!).

Now, thanks to the gentlemanly Brothers Gunther at LegumeMan books, you can download a free brand-new edition of “Ian” from their Free Series website. The story is accompanied by what has to be one of the coolest, funniest, and unsettling pieces of art I’ve seen. Do yourself a favour: download “Ian” and discover the secret behind the Ians of the world.

Any artists interested in comic books?

I’ve written a 4-page comic book script (based on my short story “Spin the Witch Bottle”), and if an interested illustrator would like to draw the art (to a professionally accepted standard!), the story is likely to be published in a new Australian horror graphic novel/anthology.

It’s a 4-the-love project (i.e. the publisher isn’t paying anyone, including me), but it is an entrance into the Aussie comic book industry.

If you know any dark artists interested in expanding their portfolio or giving comics a try, please ask them to email me at shane@jiraiya.com.au.

2009 Australian Shadows finalists

In case anyone missed the plethora of announcements, media releases, and emails today, the finalists have been announced for the 2009 Australian Shadows Awards!

Congratulations to all the nominees.

As the Director, I’d like to acknowledge and thank the Herculean efforts of judges Craig Bezant, Stephanie Gunn, and Chuck McKenzie in coming up with the shortlists. I’d also like to thank everyone who submitted work for consideration.

The winners will be announced on April 5. Best of luck, folks.

Reflecting on 2009

So in the good news column, publishing-wise, I had a good year in 2009. It’s probably a little late for an end-of-year summary, but what the hell, I kinda missed the boat. Besides, reminding myself of past successes will likely spur me on. The tally is decent:

Books
  • Shards (collection)
  • Shards: Damned and Burning (chapbook)
  • Phoenix and the Darkness of Wolves (novella)
Editing
  • Midnight Echo #2 (with Angela)
  • Eye of Fire #1 (with Angela)
Short stories
  • Twelve originals (eight in Shards, three in Damned & Burning, one in ASIM)
Reprints
  • Four (ignoring the many in Shards and Damned & Burning): Dark Wisdom (a pro sale!), Australian Dark Fantasy & Horror Vol 3, LegumeMan Free series, and Australian Reader.
Award nominations
  • Premios Ignotus (Best translated story: “The Cutting Room”)
  • Ditmar (Fan Publication)
  • Atheling (‘Dark Suspense: The End of the Line’)
Plus a solid list of interviews (Charlaine Harris, Richard Harland), news items, and the occasional review on HorrorScope.
Oh yeah, and expanding the Australian Shadows Award into three categories, being re-elected as Australian Horror Writers Association Vice President, and fighting the good fight on parallel importation of books on behalf of Australia’s genre authors (did I say I received a letter from Peter Garrett on that a few weeks ago? Well, more on that when I get organised…).
Fudge! No wonder I feel exhausted. This was all in addition to the day job, so I wonder how I’ll do without that fetter (for a while, at least).
Alright, there’s a fine line between pride and bragging, but I need a boost, so a bit of self rah-rah is not too great a sin. I’m proud of this effort, and I released some of my best work (so far) in 2009. I hope others agree.

On the nature of life

I’m writing this as I sit in the garden near Sahma’s grave. The colours are impossibly bright: the endless blue of a mid-summer sky, the varying shades of green of the fiddlewood trees and the grass bursting into life on the lawn, and even the sand and terracotta of the shade sails over the pool, which shimmer with sunlight reflected from the water. It all reminds me of a Therapy? song: “It’s a beautiful day, but I don’t see it that way. The sky’s too bright for my tired eyes to take…”

I’ve returned from having spent nearly a month in Tasmania, where I was supposed to recharge the batteries and reclaim part of a shredded soul. Family dramas disrupted the recharging (bloody kids!), but the trip was good in many ways, and oddly, I found some comfort in exploring Ange’s family history over there. The cemetery at Nile, near Launceston, is quite literally filled with her family. But that’s another story for another time.
Most of this time I’ve spent trying to understand grief and coping with loss. The naughties were particularly instructive in this regard, with Sahma’s death only the most recent example. I’ve already lost my grandparents (the people who raised me) a few years back, lost a work colleague nine months ago, and I’ve struggled with the news of Mum’s breast cancer (although she’s on the mend). My father-in-law is losing his battle with emphysema. The foundations of my life have been slipping for some time.
But this is all part of the human condition, right? And for that, I wouldn’t change a thing.
Being the self-analytical sort, I can feel myself sliding from grief into depression. I’ve tried listening to angry/sad/happy songs, socialising, exercising/playing sport, lazing around, watching Angel re-reruns, and losing myself in computer games. I even attempted to get back into the writing and editing (heaven forbid!). But my mind keeps turning to the dark corners, and it doesn’t seem to matter if I remember happy times or the sad bits, it just keep stirring up the same emotions. There’s been a huge weight on my chest, and I thought it might subside after Sahmie passed away, but the truth is that it’s growing heavier, and at times lately, I feel like I’m gasping for air. It’s like the weight of the world slipped off my shoulders and is threatening to crush me.
However, I’m an optimistic sort, with the support of a loving family (going through the same things), so I don’t see the blues lasting for long. My practical side is already telling me that I’m being self-indulgent, which is probably true. I wouldn’t trade my life for anything or anyone.
This post is a placeholder of sorts, not an emo-esque cry for attention. It will be a reminder to me when I flick back through this journal of my thoughts and feelings at this time.
My short story collection, Midnight, is ready bar the final story, which is an exploration of grief and the blurred line between devotion and obsession. I’ll spend the next few days completing this story (and hence, the collection) before I get the gumption to return to the novel.
Things will return to normal, but at my pace, slowly. You’ll be patient, ok?

A very important message from The Transformers

And knowing is half the battle!

Here are more very important messages from our benevolent friends, the Autobots:

1. Don’t Steal Cars
http://www.youtube.com/watch?v=Ckx2Cli0APA

2. Don’t Run Away From Home
http://www.youtube.com/watch?v=NQ_Bl4l8q0o

3. Don’t Jump To Conclusions About People
http://www.youtube.com/watch?v=tE5s0tG6Bwc

4. Don’t Bike At Night Without Your Reflectors
http://www.youtube.com/watch?v=0Xu-zbuE7kw

5. Don’t Boat Without A Life Jacket
http://www.youtube.com/watch?v=zGo83DGspMA

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About Shane

Shane Jiraiya CummingsShane Jiraiya Cummings is one of Australia's leading dark fantasy & horror authors. He is the author of Shards and Phoenix and the Darkness of Wolves and the editor of acclaimed publications such as HorrorScope, Black Box, and Black: Australian Dark Culture Magazine.

Find more info about Shane by clicking the links above.

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